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My first pursuit into producing using Sensory Percussion resulted in a couple of tracks which ended up on my latest EP - “Kev’s Dead” (out now on Detroit Underground). "My use of Sensory Percussion has naturally been very experimental, seeing how far I can push the technology whilst still making music in a way that feels natural and intuitive. His latest EP, 'Kev's Dead', is out now via Detroit Underground. Rian is a London-based drummer/producer/sound designer.

Istanbul cymbals (17“ Xist Dry Dark HiHat, 20“ Xist Dry Dark Crash, 22“ Xist Dry Dark Crash with rivets).

two varying snare drums with Evans SoundOff.

In the future I’m very much looking forward to playing more solo shows and being able to explore this powerful tool, which strongly transformed the way us drummers perform and think about music." This, in my opinion, is the most incredible strength of Sensory Percussion: rather than cutting through a musical context with the bold sound of egocentrism, SP always feels sublime and perfectly blended with the music in any stylistic context I wish for it to be in. When it comes to my set up I think that the musical output - the big picture - makes my personal set up shine through to make it unique in the end. Of course, I also use SP to perform with bands, many of them being built on instant composing-concepts and Improvisational principles. I often had the feeling I could record a whole album just using SP.

Also, the endless possibilities push my creativity to another level, previously unknown to me. So, SP definitely is an inspiring tool to compose with. It’s amazing to play a world of different sounds and instruments at my finger/drumstick tips and not have to worry about taking up precious studio space!įor my “One Minuture“ series I use SP to record the drums first later I add the rest on the basis of the drums/sounds.

All of that processing then happens in Ableton Live. Since I use SP in so many bands nowadays I also add a Roland SPD SX for one shot samples/loops and lately I explored the capabilities of using SP as a midi controller for vocal chops as well as various software analog synthesizers within my solo show. "Along with Sensory Percussion I either use a set up with mesh heads or acoustic drums depending on the project/band.

Check out his 'One Minuture' series of 1-minute beats on his instagram. Karl is a drummer/producer/photographer based in Germany.